FMP - The necessity of finding a suitable medium

I’m currently expanding on the outfit idea that I’ve had as well - regarding the defensive & increasingly private, controlled, city. Why look into this particular idea anyway?

We all communicate via what we wear - even if we don’t pay special attention. How can I utilise this? The purpose would be to communicate how restrictive, unfriendly & controlling a city has become. In aid of what though? Talking about the importance of public (state controlled or public community) space, versus that of private (read: corporate), control.

How does this relate to my brief? I’m primarily looking at how communities work, why they are breaking down, how they break down, and how, or even if, we can fix them. My first point of call was to look at community centres - physical or nebulous. The city is a gargantuan community centre. When it breaks down, the communities that rely on it do too. So, before you can start troubleshooting a problem, the problem needs to present itself & an obvious way to go about that is to anthropomorphise said problem - to encourage empathy, and make it obvious.

A facet fashion is the concept of wearable ideas. Confronted with this, what would people think? Would it work? Our bodies are private space - they are under our control. This is why consent discourse is such an important part of our daily lives - both spoken & unspoken. With that being said, is the public/private space battle & increasing fortification of a city, able to be translated into a wearable idea, would it take? Or would it simply confuse the issue further or illicit no response? Or worse, illicit a response that would encourage further destruction and division?

FMP - Mid-point update/re-cap

I’m typing this, listening to La Roux, whilst sitting in my new colonial establishment (the sitting room) watching the Ire/Ita match (Ireland are slaughtering Italy.)

I feel sympathetic towards Italy. Having watched Ireland score yet another try, and the scoreline now rests at 37-3 at 49:00 mins on the clock. Why? This project is kicking my arse.

Key points of failure that do not seem to be going away:

  • No-one seems to be able to look through my sketchbook and understand what it is that I’m attempting to do.

  • I have 2-3 other ideas that I need to flesh out, in order to at least attempt to get a higher grade than just a pass. I need to do more sketching amongst that, collage etc. Basically more work.

  • [whinge] I’m tired, bored, pissed off.

  • I want the Easter hols NOW! Right now! This instant! [/whinge]

Between the posts! 53:57 | 44-3 IRE-ITA Playlist has switched to Fragma - “I Need a Miracle”. Aha. Hahaha.

Why am I struggling? My head sometimes has the nasty habit of deciding an idea is done & dusted before it actually is, it gets bored and wants to move onto the new shiny. Why? The only thing I can think of is that for so long, imagination was the only thing which I could hope for, it has been a very very long time since I’ve had the means to actually physically realise any significant design or somesuch. Now that I do, is it that deep down I still think it futile? Fuck that. I’ve got full funding confirmation for next year, I’ve got a conditional place for next year, I’ve put in the effort over the rest of the year. (Oh, and Jack, if you are by any chance reading this, yes, I’m swearing… I fully accept the charge of hypocrisy in this instance and find myself guilty as charged ;-) ).

Let’s do this.

(46-10 IRE-ITA @ the 61:59 mark; Moloko “Sing it back”, as I finish).

FMP - A brief walk through history

I’ve been going back and doing some further research on conflict & communities as part of my FMP. Reading about, and in some cases remembering some of the things that happened to the LGBT+ community in the UK over the last 30+ years, I feel sick.

On the flip side, we do now have the Equality Act, “Equal Marriage” (still not quite), amongst other provisions (although Trans folk still got screwed in (not so) subtle ways by the EM, EA, GRA acts and subsequent alterations).

We’re also still not afraid to back down from a fight. Although I wish we’d stop fighting each other so much. That means listening to each other. That means having the courage to admit when you fucked up. It is fucking hard - I know from personal experience that the whole not backing down thing is a blessing & a curse.

If anyone has access to news archives, take a gander at these newspaper editions:

The Guardian, December 15 1987
The Guardian, May 2 1988
The Independent, May 14 1990
The Independent, December 18 1990
The Independent, February 28 1994
The Guardian, May 1 1999
The Independent, May 1 1999
(any UK newspaper from 1 May 1999)
The Guardian, June 6 2005

FMP - More Maquettes

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Here are most of the models & maquettes I made this week to test out ideas and just plug away at the ideation phase.

One of the design points I have settled on is the predominant usage of wood in the design - bamboo, plywood (1-2 ply), pine. Things I’m still undecided on include whether or not to use gravel/stones in the final design, as well as deciding between using a projector or a CRT (cathode-ray tube monitor) to display the video interviews.

Design points which I need to figure out next week include how to ensure that the bamboo behaves - i.e. remains upright; and whether the “weave” effect of the plywood & bamboo can indeed be achieved (even 1-ply is quite stiff). I’ve decided against making furniture for the installation as well - I do not believe that I’ll have the time. The exception to this being the plinth that will house the projector & speakers - this I will need to design as well.

Additionally, the video interviews still require editing. Mhm. I still have an awful lot to get on with, and we’ve only got 2 weeks till the Easter break. Ho-hum. I miss having objective, precise, criteria in a project.

FMP - Casting

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Today, I made a fist (with help from Sim).

Why did I make a fist?

It began during the 1960′s American Civil Rights movement - Black Power, Malcolm X, Black Panthers, Dr. King, and the Mexico Olypmics of 1968. This was where Tommie Smith & John Carlos (two American sprinters) raised their fists, each fist shrouded in a black glove, in defiance of the powers that be, in support of Black Power and the civil rights movement.

Since that era, this raised fist has been appropriated by different civil rights campaigners & liberation groups. Notably feminists, as well as some queer rights groups. It has become a symbol of protest, of defiance, and it will be a part of the installation that I am designing.

Is the (mis?)appropriation of such a powerful symbol justified? Please do debate for yourselves.

Organisational skills

Spent today completely restarting the sketchbook for this project, as the one I was using was becoming a Lovecraftian mess of writhing thoughts, text and few sketches. Cue printing off images & realising you need to get books back out the library to properly reference said images (i’m missing page numbers/plate numbers basically). Also, spider diagrams from research notes, and I haven’t even started on the sketching yet, or the annotation of the images I collated for research purposes. Oh, and tomorrow I will be having fun attempting to print to acetate. Yay.

Well, better now than at Easter.

FMP - Photomanipulation

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So, it has only been two weeks, but this project has already undergone several transformations. This weekend, I need to figure out how to tie all of these threads together into a coherent trail of thought.

I’m also setting up video interviews next week - both for research purposes, and also to display as part of the final installation. Speaking of, at least I have finally decided on what form this project will ultimately take - that of an installation. I’ll be drafting the questions to ask during the interviews as well this weekend.


Shown in this post are two images - one from the student protests back in 2011 (of which I was a part - feels like a lifetime ago now), and the same image broken down into what I felt were the consituent parts of a protest:

  • Protestors - Purple

  • Placards - Red

  • Police/Stewards/First responders - Blue

  • Members of the public - Dark Grey

  • Physical structural boundaries - Yellow